Monday, March 28, 2011

from final paper - The People The Mountains Named: How 'The Canadian Mountain' shaped Nikkei exile and identity

at first i wasn't so hot about the idea of having to keep a blog for this class, but now i'm making my writing process public as i continue to build my paper (due apr 6). i'm going to be putting updates all week on the blog, and if folks want they can comment right on my paper as i write it (which i would highly encourage). this is an experiment.



There is a mountain on the central coast on Nuxalk/Oweekeno/ Kwakwaka’wakw[1] land, north west of Vancouver and south east of Haida Gwaii that is renamed[2] after the first Japanese settler to come to what is now known as Canada[3]. Mount Manzo Nagano was renamed in 1977 by the Canadian Permanent Committee on Geographical Names to commemorate Nagano-san’s[4] landing a century before (Colombo, 2001). It is ironically fitting as, in a way, the mountains have also renamed the Japanese Canadian community (who I will refer to from now on as the Nikkei in Canada, or simply, Nikkei). Incarcerated and dispossessed en masse in isolated mining towns and work camps throughout the mountains from 1942-1946, the Nikkei in Canada became intimately familiar with the Canadian Mountain. The construction of space as race, the Canadian Mountain as a symbol of nation, as well as empty, isolated liminality - specifically the Rockies, and more generally the various mountain ranges patterning the landscape of British Columbia and western Alberta - have been instrumental in shaping the identity of the Nikkei in Canada as exiled people.
Sherene H. Razack (2002) writes that place, land as location, becomes race as a white settler society establishes a nation on non-European land. It is evident that space, land as geographical terrain, also becomes race with colonization. The reconstruction of the mountains is closely tied with colonization and the invention of nation and nationalist images. Benedict Anderson (1991) identifies the nation as an imagined community. While Gellner writes that nationalism “invents nations where they do not exist,” (1964, p. 169). To invent the nation and imagine its national identity, Canada has often appropriated from the many indigenous nations already inhabiting the land (Nelson, 2006). The maple leaf, the crucial element of the national flag, was chosen by an association the colonizers had with indigenous peoples and their use of the maple sap (Ibid). More recently, indigenous symbolism used by the Vancouver 2010 Olympic Games was met with anger by several indigenous commentators. They recognize Canada’s tokenization of indigenous imagery and partnerships to construct a unique image of Canada while appropriating yet unceded indigenous lands in British Columbia for the setting of the Games, and maintaining a resistance to sharing its colonial legacy of indigenous genocide (Charleyboy, 2010; Kaste, 2010; Sherman, 2010; Wonders, 2006). It is ironic that while Canada relies on the geography of BC’s mountains to sustain its international image, there have been no treaties or agreements made that legally entitle non-indigenous people and governments, including the Government of Canada, the Government of British Columbia and the City of Vancouver, to most of the land in British Columbia. [5]
            Colonially constructing space as race imbues the mountains with highly racialized meaning, meaning beyond geology alone. The project of Canadian nationalism has historically reconstituted the mountains through a very violent relationship with the land and the peoples of the land. I say reconstruction and reconstitution in acknowledgment of the relations and meanings the mountains hold for peoples indigenous to the land there. For instance, looking specifically to the Coast Mountains and Squamish traditional territory, the Squamish people have used the area for hunting, fishing, and gathering in temporary summer settlements for generations (Squamish Nation & Reimer, 2003). The Coast Salish people – of whom the Squamish people are a part – hunt Xwuxwelken[6] (mountain goat) at the highest altitudes, including in the Ch’ich’iyu’y Elxwikn area mountains, known by Vancouverites as ‘the Lions’ (Ibid). Hunting Xwuxwelken necessitates using other aspects of the mountains such as the rivers to bathe in often, cedar boughs to rub the hunter’s body in, and Xwuxwelken’s wool either from sheddings or from a blanket passed down from older hunters – all in order to keep Xwuxwelken from smelling the hunter while being tracked (Ibid). Wind direction, large rocks, other hiding places, and cliffs to drive Xwuxwelken off of have also been instrumental mountain elements used by the hunter. In turn, blankets made from Xwuxwelken’s wool have held high ceremonial value and at potlatches have been distributed as a sign of wealth (Ibid). This is part of the context filling the mountains with meanings outside of Canadian nationalism. Thus, when I refer to ‘The Canadian Mountain’, I’m referring to the various Canadian nationalist reconstructions of the mountains, and not the interpretations like the one described above.
Contrasting the Squamish understandings of the mountains, the national imagination has invented The Canadian Mountain as “the towering Rocky Mountains, whose grim, barren slopes, surmounted by glittering crowns of ice and snow, rise in inspiring grandeur and beauty,” (Talbot, 1915, p. 72). And engaging in this scene, the consumer of The Canadian Mountain should sit back and sip on the champagne the train’s stewardess has just flirtatiously brought (Preston, 2001, p. 206). Or else invoke the inner child and use the landscape as a personal playground, as the Vancouver 2010 Olympics have marketed. Tourism campaigns have constructed this version of The Canadian Mountain for consumption by the wealthy. With the goal of accumulating revenue for the nation, such campaigns advertise Canada as a destination of choice for travelers and exploit the awe and adventure non-mountain dwellers associate with mountains in general. Indeed, even the exact site of a Nikkei internment camp in the Selkirk mountain range has been written about as “one long span of bliss,” where paradise “is the only rival” (Lowery in Adachi, 1976, p. 251). On the official tourism website of the Canadian Tourism Commission the first page is filled with a photo of a skier, snow flying, mountains and more mountains stretching into the back ground.  Searching ‘Canada’ in a search engine set on retrieving only images produces such nationalist pictures as the Canadian flag, the map of Canada, and photos of mountains. Even though mountain terrain currently[7] makes up only a small percentage of the ecosystems enclosed within Canadian borders, somehow the mountains have come to mean Canada more so than any other landscape.
Colonial remapping has contributed to the invention of the mountain space as race. Alexander Mackenzie and George Vancouver beginning in the late 1700s set out to map this last corner of the western hemisphere still unmapped by European imperialism (Brealey, 1995). Directed by the Carrier and Nuxalk peoples, the explorers were able to begin imagining the territory through mapping it, laying the foundations for claiming it as Canadian (Ibid). Yet despite their guides, the maps produced suggested the land was a “peopleless wilderness” (Ibid).  Razack (2002) reiterates that with European settlement began a retelling of history, one that imagines the land as empty, developed only by European pioneers. In this way, the image of the empty land has also been a popular way to encourage European settlement. Indigenous peoples in British Columbia were evicted from their lands around Canyon Creek, Round Lake, Tyhee Lake and in the Telkwa river valley when in 1901, the BC legislation began providing white volunteer fighters for the British side of the Boer War[8] with scrip for free 160 acre homesteads (Gitxsan, 2010).  The Canadian Mountain imagined as vast, empty wilderness by this settlement legislation as well as by current tourism ads necessitates the land’s historic and ongoing emptying. 
            Emptying the mountains to create The Canadian Mountain is a process done not only through remapping and eviction, but also through genocide. In the late 1700s with the beginning of European contact and colonial war, European-imported smallpox epidemics killed 30 per cent and later 50 per cent of the indigenous population in BC (Squamish Nation & Reimer, 2003). More specifically, by 1830, the BC’s indigenous population was decimated from a pre-contact estimate of several hundred thousand to 70,000 (Gitxsan). By 1929, the population was further reduced to 20,000 (Ibid). Residential schools have also devastated indigenous nations and their ability to reproduce their cultures.
In addition, several resistance wars fought by indigenous peoples in response to these emptying attempts punctuate Canada’s history. One such war, the 1858 Fraser Canyon War, resistance by the Sto:lo to mining activity and violence from miners, marked the end of attempts at treaty making in BC (Saunders, 2007). The Red River ‘Rebellion’ of 1869 and subsequent Northwest ‘Rebellion’ of 1885 were resistance wars fought by the Métis and Plains Cree who were being starved out by actions such as colonial policies of land reform (Miller, 1991). More recently, indigenous resistance manifesting in the military standoff between the army and the Mohawk at Kahnawá:ke in 1990 over contested land is evidence of ongoing Canadian attempts at emptying the land of indigenous people.[9]
Creating the empty Canadian Mountain is also done through law. After the colonial government of BC joined the rest of the country in 1871, Canada began setting a variety of laws restricting indigenous peoples from asserting their rights to exist with the land.  Prohibitions on indigenous fishing rights were put into Canadian law in 1878 (Carrier Sekani Tribal Council, 2007). Six years later, the potlatch - a gathering instrumental to the functioning of many nations inhabiting BC - was banned (Ibid).  In 1901, the provincial government requested Canada to reduce the size of existing reserves (Ibid).  In 1927 the federal government made it illegal to raise funds with the purpose of pursuing land claims (Wonders, 2006). The Indian Act also attempted to legally empty the mountains and Canada in general of indigenous peoples by establishing that women lose their Indian Status when they marry men without it, and that children born out of such marriages cannot retain Indian Status and are legally non-Indian (Giokas & Groves, 2002; INAC, 2010). It should be noted that beyond the instances listed here, Canada has committed other genocidal crimes and attempted myriad other legal measures to erase indigenous people and empty the mountains (See Dickason, 2005; Foster, 1999; Furniss, 1992; Goikas & Groves, 2002).
            Emptying the mountains required access facilitated by the railway’s construction, a process that further defined space as race. As Japanese labourers populated the mountains after being “supplied” by Japan to build the Canadian Pacific Railway, they along with other Asian labourers were signed onto contracts designed to ensure they did not stay and settle after the railway’s completion (Timlin, 1960). Yet, inventing the nation as a white space entailed the desired (read: white) settlement of Canada and was reliant on the transportation the railways provided. Being able to transport goods from the European home country to ports in eastern Canada and then across the continent by train to where scrips were being given out made settlement more attractive (Pizey-Allen, 2009).
Settlement required not only goods to be transported by rail, but also military might.  Shortly before the CPR was completed the Métis and Plains Cree - starved by the concurrent extinction of the buffalo and oppressive land reforms put in place by the colonial administration in what was then known as the District of Saskatchewan - were in the grips of the Northwest Rebellion of 1885, a resistance war against colonial outposts (Miller, 1991). The railway, which was completed up to the District, had ensured colonial troops from eastern Canada could be transported into the interior on time to fight and eventually win the war (Berton, 1971; Pizey-Allen, 2009).  Big Bear and Poundmaker, two instrumental Plains Cree chiefs were imprisoned and as a result died.  Eight other indigenous leaders were hanged (Miller). Instrumental Métis leader, Gabriel Dumont fled to the US, while Métis leader Louis Riel was tried with treason and hanged (Ibid). Then-Prime Minister, John A. Macdonald invoked the imagined community and invented nation in the wake of such indigenous devastation when he announced “[l]ate events have shown us that we are made one people by that road, that that iron link has bound us together in such a way that we stand superior to most of the shafts of ill-fortune,” (Macdonald in Berton, 1971, Epigraph). Note that the nationalism of this speech reduces the indigenous resistance to a ‘shaft of ill-fortune’ to the nation. Ultimately, the surrenders of Big Bear and Poundmaker were major factors in the completion of the CPR, a project in risk of financial collapse prior to the war. The project gained political support because of its roll in winning for Canada (Berton; Pizey-Allen).  The construction of the railway was simultaneously justified by and justification for the invention of the nation.
As indigenous space was being emptied to make white space, further important shifts the mountains’ meaning were taking place. Their emptiness and isolation were becoming associated with adventure and fortune for white entrepreneurs, largely through the ore and silver rushes of the 1890s. Several mining towns sprung up almost overnight scattered throughout the emptied mountains (Turnbull, 1988). Upon introduction of frequent railway service to these locations, more entrepreneurial European and U.S. settlers poured into the mountains. When the site to build Slocan City was bought by Frank Fletcher, it was already so popular that people were apparently standing in line to purchase property (Ibid). The mining town of Sandon had a population of 5,000 at its peak, boasting 24 hotels, 23 saloons, a newspaper, city hall, and even an opera house (Ibid). However, falling ore prices and the discovery of rivaling gold elsewhere from 1897 onward created economic hardship for these towns, and many underwent enormous decreases in population or were abandoned completely (Ibid).
Mountain roads, constructed often on top of existing pathways made by indigenous peoples[10], sustained the mining towns’ continued inhabitance and development of forestry after the fall of ore prices and up until current day. Several of the roads in the mountains were constructed and fortified in the 1940s from the forced labour of Nikkei men imprisoned and exiled from their homes west of the mountains (Morita, 1989; Nakano, 1980). In particular, the construction of the Hope-Princeton Highway killed several Issei[11] and Nisei as they were committed to forced labour as prisoners in road camps (Morita). Recently, as my family was driving along this road while travelling from Vancouver to the site where she was interned, formerly known as Tashme, my grandmother, with an ironic chuckle, recounted a popular Nikkei saying of the time, “the Hope Highway: built from the blood and sweat of the Japanese,” (Betty Tokawa, personal communication, September 16 2009).
            The Nikkei labour assisting the construction of The Canadian Mountain was exiled labour, labour that was considered undesirable to the white space of BC’s coastal areas and major cities. Since Nagano-san’s 1877 arrival and until 1942, the Nikkei were largely a Pacific coastal community, rarely venturing across the mountainous border dividing the west from the rest of the country.  In 1941, 95% of Nikkei in Canada lived in British Columbia (Sunahara, 1981, 10). They inhabited fishing villages and mining and logging towns on Vancouver Island, as well as farms and neighbourhoods in and around Vancouver (Obata, 2000). However, this coastal space, which had also undergone a colonial process of racialization, was having its whiteness threatened by Nikkei settlement.
All shades of political opinion are at one on the desirability of sharply calling a halt to the Asiatic innovation and at least taking steps to see that immigration across the Pacific ceases, if not indeed carrying the policy to the ultimate conclusion of repatriation of those who are already here…Mr. King [Premier MacKenzie King, of the province of Canada], of course, is fully in accord with the dream of keeping British Columbia a white man's country- in theory.” (The British Columbian, March 2 1928).
The Anti-Asiatic league fell on Vancouver’s city hall in 1907 demanding the stoppage of Asian immigration and rioted in Vancouver’s Chinatown and then-Japantown destroying Chinese and Japanese businesses and storefronts along the way. A kind of battle ensued as Nikkei women and children resisted by gathering on the roofs and throwing rocks on the rioters (Dan Tokawa, personal communication, September 18 2009). In response, Canada signed on to the 1908 ‘Gentleman’s Agreement’ with Japan officially instilling quotas on the amount of Japanese male immigrants it would let into its borders.[12] In the 1920s and 30s legal restrictions on Nikkei fishermen were put into place to weaken the endurance of Nikkei settlement (Shibata et al, 1977).  By 1941, the perfect excuse had been found to exile the Nikkei from the coast en masse - the bombing of U.S.-occupied Pearl Harbor by Japanese troops engaged in World War II. Official exile began with naming the Nikkei as ‘enemy alien’ and ‘disloyal’ simply by nature of their ethnicity (whether they were Canadian citizens did not matter), contrasting them out of the ‘Canadian’ spaces requiring ‘loyalty’ they had been settling in.[13]
            The displacement and incarceration of some 22,000 Nikkei living in this coastal area followed this decree. It is necessary to acknowledge that the incarceration of the Nikkei in Canada was not a homogenous removal to the interior of BC, but consisted of varied sites of isolation including to the sugar beet farms and domestic work of Alberta and Manitoba, forced labour sites in BC, the Prisoner-of-War camps in Ontario, as well as to war-stricken Japan. Camps in the mountains held some 12,000 Nikkei from 1942-1946 (Mitoma, 2010).
            Inside the isolated, emptied Canadian Mountain was seen as the ideal place to incarcerate the Nikkei. The geography of the mountains themselves provided prison-like conditions. “The valley in which Tashme [one such internment camp] nestles is about one mile wide and about 15-miles long, surrounded by precipitous mountain slopes closing in at each end into very narrow and easily guarded entrances. A better place could hardly have been found to house a large number of Japanese evacuees [sic][14],” (Oikawa, 2000, 91). Many of the camps were built (by forced Nikkei labour) in the old mining towns, known at the time as ‘ghost towns’. Recall the once booming town of Sandon. Even before it had been made into a Nikkei internment camp, it had garnered the name of ‘sunless city’ as the community was in a narrow valley whose surrounding mountains blocked much of the sunlight (Turnbull, 1988). It was often said that high rates of what may now be diagnosed as depression plagued Nikkei prisoners of this particular camp more so than elsewhere (Betty Tokawa, personal communication, September 2009). Uchida-san, a doctor working at the Nikkei T.B. sanitorium in the internment camp at New Denver recalls an alarming amount of Nikkei illness during incarceration, “that first winter we had an appendicitis operation every day for about four months.  Something to do with the environment. When they'd get up in the mornings, the inside of the houses were all covered with frost and we had an operation every day,” (Uchida in Dubois, 1945, p. 9). My grandparents retained many photographs of New Denver as they were eventually both patients at the sanitorium, however Nikkei were not allowed to have cameras. Mark Toyama took most of the photos in New Denver as his role of x-ray technician made him one of the few Nikkei permitted to own a camera (Dubois, 1945). Toyama-san also contracted T.B. and later died of it (Ibid).
            In deed, the prison geography constructed in The Canadian Mountain left its print on the identity of Nikkei. Raymond Moriyama who was only an adolescent at the time of incarceration recalls this feeling of criminality invading his young thought processes:
My tree house became a wonderful secret place. I say “secret” because I thought I was some kind of saboteur committing a subversive act. Like an underground guerrilla up in the tree! I didn’t tell anyone for a long time. I believed I was going to be carried away by the RCMP just as I had watched them carry father away earlier in Vancouver, (Moriyama in Enomoto et al., 1993, p. 53-4).
Shizuye Takashima, in her book based on her life in a camp, recalls the feeling as a young girl as well.
We see for the first time the office of the Royal Canadian Mounted Police, half hidden among the dark pines. Yuki looks, says, “You realize we are no longer free to go from place to place.” I stare at the words, “R.C.M.P. Office” all in red. They seem to grow larger before my eyes. Yuki continues, “We even have to watch what we say or do.” I look at the closed door. Their power seems to come through the very walls. We walk quietly past, (Takashima, 1971[15]).
            The Canadian Mountain also acted as a liminal space, a borderland in which families were divided by geography.  Takeo Ujō Nakano’s poetry composed while imprisoned in a work camp recounts how the mountain geography was a painful reminder of his imprisoned condition and separation from his family.
Watershed’s
Whispering waters
Part and flow.
Separation anxiety
Revives. (Nakano, 1980, p. 24)
Several Nikkei like Nakano-san and my uncles Jimmy Minoru Tokawa and Al Arata Tokawa protested the break-up of families and were thus removed to the prisoner-of-war camps in Petawawa and Anger, Ontario for the duration of internment (Nakano, 1980; Dan Tokawa, personal communication, September 2009).  
            It was not only a separation facilitated through the geography of the mountains, but also an intense uncertainty about family well-being and location. Nakano-san’s poetry embodies this uncertainty:

Ken’etsu sarechi
tsuma yori no tegami
ami no gotoku
kiri-suterarete
handoku ni kurushimu

(A letter from my wife
the censor hacked to pieces
like a net.
Even what’s left
is painful). (Nakano in Shikatani & Aylward, 1981, p. 77)

Sachie Matsushita’s (nee Morimoto) mother’s diary reveals her worrying uncertainty, “[i]t is a clear starry night. I wonder which camp my husband is sleeping in tonight. He’s probably drifting off to a lonesome sleep as he worries about his wife and children” (Matsushita in Kobayashi, 1988, p. 133). Her later entries recall “it was some of my depressing years” (Ibid).
            The Canadian Mountain as liminal space was used in the process of further exiling Nikkei from their west coast home, a marker the government used to divide Nikkei from the familiar geography of community. In 1942 Vancouver Centre’s member of parliament, Ian Mackenzie, had already began voicing his opposition to Nikkei return under the spatial slogan “Not a Japanese from the Rockies to the Sea,” (Sunahara, 1981, p.  118). In the winter of 1942-43, a policy of Nikkei resettlement ‘east of the Rockies’ was introduced (Sunahara). With the end of the war in 1945, the government had to figure out what to do with all the Nikkei who hadn’t voluntarily moved east and instead remained incarcerated. During their incarceration, all the property of interned Nikkei was taken by the government and sold at bargain prices. By 1947, approximately $11.5 million of Nikkei property had been disposed of for only $5,373,317.64 (Sunahara, 1981). Sunhara-san observes that this dispossession meant destitution for many Nikkei, and was the set-up for their exile.


[1] Various maps show different names occupying the land. BC Ministry of Education map blurs each boundary citing the complex territorial relationships involved as reason for doing so. http://www.bced.gov.bc.ca/abed/map.htm
[2] Renamed in this case refers to the colonial act of reimagining and mapping a land already populated and mapped/internalized by peoples prior to colonial contact. All of Canadian geography has been renamed and remapped as a product of the colonial process.
[3] At the time Manzo Nagano landed in New Westminster, Canada was known as the Dominion of Canada, a British colony.
[4] -san is a Nikkei and Japanese suffix of respect on the name of a superior or elder, a kin to the English prefix of Mr. or Mrs. though not necessarily revealing marital status. In the attempt to re-establish Nikkei as respectable though exiled, I’ve added this suffix where appropriate. 
[5] See Figures 1 & 2.
[6] Where indigenous language has been provided to name that which is related to the indigenous population referenced, the indigenous language name is privileged to stay true to the relation. English translations when available are provided after the name in brackets.
[7] Pre-historic mountain ranges across the Canadian Shield have since been worn down and are unrecognizable as mountains. See Wallace.
[8] Britain was also providing scrip to encourage settlement of Canada, as my great grandfather on my Irish side was a fighter on behalf of Britain in the Boer War, and established my family in New Market, Ontario on receiving one such scrip in return for his service from the British government.
[9] Named as the closest Canada’s come to civil war in modern times. See Tonelli.
[10] For more see Ministry of Transportation and Infrastructure, BC. Frontier to Freeway. http://www.th.gov.bc.ca/publications/frontiertofreeway/index.htm
[11] Nikkei have names for themselves connoting generational status in the country they’ve settled. Issei connotes immigrant, or first generation. Because the first wave was the largest wave of immigration from Japan in the late 1800s, Issei has become normalized as belonging to this time period. Nisei (sometimes spelled Nissei), are their children, the second generation. Sansei is third. I am a yonsei, which is fourth. Gosei, who’s rare use signals the breakdown of this understanding of identity, means fifth generation.
[12] The U.S. government had established this agreement with Japan prior to Canada’s signing.
[13] See Figure 3.
[14] ‘Evacuees’ was the common governmental term used to gloss over the reality of Nikkei incarceration. Evacuee implies voluntary removal away from danger, whereas the Nikkei were forced into exile and dispossessed of their liberty.
[15] The book has no page numbers to reference.

Wednesday, February 16, 2011

Research Question

Research Question, due Feb. 16 
Based on this preliminary work, formulate a research question to drive the remainder of your data collection and analysis.

A good research question should be
- Narrow v. Broad
- an outline of what is to be studied
- passing the So What? test
- researchable

Research question v1: Is The Canadian Mountain as constructed by Canadian nationalism relevant to the mountain memories held by diasporic people who no longer dwell in the mountains of BC? 

-fails the so what? test

Research question v2: How does the reinforcement of The Canadian Mountain for Canadian nationalist imagery produce displacement and cause internal diasporas?

- can be narrower

Research question v3: What is the difference between the ways Canadian nationalist reinforcement of The Canadian Mountain image has produced Nikkei and Indigenous displacement?

- how is this researchable?




Wednesday, February 9, 2011

Object Social/Cultural Context


Object Social/Cultural Context, due Feb 9

How has your object or objects like it figured in cultural processes? How is it used? When is it used? How does its use vary with audience? What different meanings does it convey in different cultural contexts, in different spaces, and/or for different audiences?



The Mountains of BC are perhaps more a symbol succinctly summarized as The Canadian Mountain.  I say this because of how they are figured in the cultural process of nationalism. The mountains of BC become The Canadian Mountain through tourism campaigns, advertising Canada as a destination of choice for travelers, exploiting the awe and adventure non-mountain dwellers associate with mountains in general. If you search ‘Canada’ in a search engine set on retrieving only images, the first page will produce pictures of the Canadian flag, the map of Canada, and photos of mountains. Even though mountain terrain currently makes up only a small percentage of the ecosystems enclosed within Canadian borders, somehow, the mountains (for the most part located in BC) have come to mean Canada, more so than any other landscape. On the official tourism website of the Canadian Tourism Commission (an agency of the Government of Canada) http://www.canada.travel/selectCountry.html, the first page is filled with a photo of a skier, snow flying, and yes, mountains and more mountains stretching into the background.

The Canadian Mountain has also been taken up and resymbolized. Actually, it would make sense this process happened first before Canadian tourism picked up on it. North America being metaphorically referred to as Gold Mountain is a process that Chinese migrants started in the mid 1800s. With the onset of several gold rushes within the US and Canadian Rockies, as well as the nation building activities of the time such as the construction of the cross-Canada (and US) railway systems and subsequent logging and mining industries helping support the railway, North America was progressively pictured across the Pacific as a land in which to work and a land in which to prosper. And Gold Mountain was for the most part, a temporary space in which to make one’s fortune and eventually come back across the Pacific to retire and share the wealth with family.

So in both the tourism and early migrant worker context, The Canadian Mountain is used to attract temporary inhabitance to the nation. This message of temporary inhabitance reminds me of the sentiments surrounding Japanese-Canadian (from here on in referred to as Nikkei) incarceration in The Canadian Mountain. Underlying the war-time paranoia and xenophobia was a deeper xenophobic racism that had been nagging at the Nikkei ever since they started settling along the west coast in 1877. Amid anti-Asian riots, and laws barring Nikkei from voting and equal access to industrial fishing equipment (many were employed as fishermen), a racism against them thrived and was determined to squeeze them out of their jobs and their homes. The war was an opportune time to for Canada to achieve goal while maintaining a ‘colorblind’ peaceful image as a nation. Instead of pointing a finger at a particular group and saying, out – we don’t like your face…Canada could cry ‘national security’ and relocate over 90% of the Nikkei population to remote ghost towns (left over from gold rush days) in the mountains of BC (and also on the sugar beet farms of Alberta, working as free labour).








Wednesday, February 2, 2011

Object Historical Context

Who owned your object and/or similar objects? How has its ownership changed over time? What have its owners used this object for? Has your object traveled? What has been its historical route? How does interacting with the object shape your impression of it? How does its current use(s) relate to its uses in the past?


NOTE: I've had a change of concept from the 'rocky mountain range' to a more site specific object in the popular imagination that I will henceforth refer to as 'the BC mountains' or 'the mountains of BC'.



Mountains of BC are actually an agglomerate of separately classified ranges: the Cascade Range, the Coast Mountains, the Columbia Mountains, the Insular Mountains, Interior Mountains, Saint Elias Mountains, Vancouver Island Ranges, and more.
  
More research for more detailed and accurate description is needed here, but so far, the original peoples or at least the ones inhabiting the BC mountains before European contact with the continent, have been classified by archeologists as Northwest Coast, Plateau, Plains and the majority being Sub-Arctic Athapascan. I would like to know what Indigenous knowledge says about the first peoples in these areas and how they came to be there.

Today the First Nations who’s territory language areas are related to the BC mountain ranges are[i];
the Tagish,
the Tutchone,
the Inland TLingit,
the Tahltan,
the Dene-thah,
the Nisga'a,
the Gitxsan
the Sekani,
the Dunne-za,
the Nat'ooten,
the Wet'suwet'en,
the Dakelhne,
the Saulteaux Cree,
the Secwepemc,
the Stoney,
the Ktunaza Kinbasket,
the Xaadas Haida,
the Tsimshian,
the Haisla,
the Heiltsuk,
the Oweekeno,
the Kwakwaka’wakw,
the Tsilhqot’in,
the Stl’atl’imx,
the Nlaka’pamux,
the Nuu-chah-nulth,
the Ditidaht,
the Homalco,
the Klahoose,
the Sliammon,
the Comox,
the Qualicum,
the Se’shalt,
the Sne-Nay-Muxw
the Squamish,
the Quwutsun’,
the Sto:lo
the Semiahmoo,
the Tsleil-Waututh,
the Musqueam,
the Tsawwassen,
the T’Sou-ke,
the Esquimalt,
the Songhees,
the Saanich,
the Coquitlam, and
the Okanagan.


To look specifically at the Coast Mountains and Squamish traditional territory as an example, currently the owners or more accurately, relatives of the mountains within are Sub-alpine fir, mountain hemlock, black bear, grizzly bear, mountain goat, elk, deer, snowshoe hare, yellow-bellied marmot, heath and meadow alpine plants, Canada goose, grouse, ptarmigan, and salmon[ii]. The Squamish people have used the area for hunting, fishing, and gathering in temporary settlements in the summer for traditional use. Specifically, the Coast Salish people – of whom the Squamish people are a part – hunt Xwuxwelken[iii] (mountain goat) at the highest altitudes, including in the Ch’ich’iyu’y Elxwikn area mountains known by Vancouverites as ‘the Lions’[iv]. Hunting Xwuxwelken necessitates using other aspects of the mountains such as the rivers to bathe in often, cedar boughs to rub the hunter’s body in, and Xwuxwelken’s wool either from sheddings or from a blanket passed down from older hunters – all in order to keep Xwuxwelken from smelling the hunter while being tracked. Wind direction, large rocks and other hiding places, and cliffs to drive Xwuxwelken off of were also instrumental mountain elements used by the hunter[v]. In turn, blankets made from Xwuxwelken’s wool have held high ceremonial value and at potlatches have been distributed as a sign of wealth (Ibid).

When in the late 1700s with the beginning of European contact and colonial war, small pox epidemics killed 30% and later 50% of the Indigenous population in BC. This shift in population certainly shifted ‘ownership’ and use of the mountains. Since then many different people have lived in and used these mountains including British and American mining companies searching for various minerals including coal, diamonds, and gold. Forestry is another industry making its profit from the BC mountains. Migrant Chinese, South Asian, Japanese and freed diasporic African people have also been a part of the mining and forestry operations in these mountains. It was specifically the migrant Chinese who named the entire North American continent as ‘Gold Mountain’, a literal and metaphorical place of financial wealth and a desired migration spot. Indigenous people have continued to live and hunt among the BC mountains, as well as being employed in the above mentioned economic industries.

Specifically, it was the gold rushes in the 1800s that saw many towns spring up in the many mountain ranges. However, with the end of the rushes in the 1900s, many towns were abandoned and remained either empty or only sparsely populated and known as ‘ghost towns’ until the 1941 mass incarceration of Japanese-Canadians in these remote mountain towns. Meant as jail sites, these ghost towns were used by the interned Japanese-Canadians to build houses, and a new tradition of maa-take (pine mushroom) hunting formed, and considered these hard-to-get mushrooms a delicacy. Today they sell in the grocery store or at specialty markets for upwards of $40.00 per pound as they cannot be farmed, but merely harvested in their natural environment largely free of human contact.

After the 1946 release of the internees, since they were denied permission to move back to their homes on the west coast of BC, many Japanese-Canadian families stayed behind in the mountain towns, and today make up a notable facet of BC mountain population. The mountains remain in the nation’s imagination, as popular images of remoteness. Tourism ads promoting Canada as a travel destination highlight BC’s mountains and associate them with the ‘natural beauty’ and ruggedness that constructs the Canadian international image. Currently, in addition to all the activities already mentioned, the mountains are being used as recreation sites for hiking, sport fishing, skiing, and other winter sports. In the previously referenced Squamish territory, a world-known luxury resort at Whistler has been built by a private company and is being run in tandem with outdoor sports at Whistler and surrounding mountains. Many other ski resorts have been built in the mountains, and most recently due to the Vancouver 2010 Winter Olympics site in the mountains, much media attention has been given to the Sun Peaks resort and its degradation and destruction of Secwepemc traditional territory.

Being in the mountains from time to time in my life my impressions of them have changed. Within them, they no longer become a national symbol. Everything is very localized when you are inside. Especially being descended from survivors of internment, interacting with the mountains in BC make me think of family and familiarity, something wholly detached from nationalism. In fact, being in the mountains triggers/heightens a kind of anti-nationalism in me, hearing the silence of a people-less stretch reflects the emptiness left from the brutal colonization and purposeful extraction of Indigenous populations from these ranges.


[i] http://www.kstrom.net/isk/maps/cultmap.html
[ii] From “Alpine Archaeology and Oral History of the Squamish”. Squamish Nation & Rudy Reimer (2003). In Archaeology of Coastal British Columbia: Essays in Honor of Phillip M. Hobler. Roy L. Carlson (ed). SFU Archaeology Press, Burnaby BC. P47.
[iii] Where indigenous language has been provided to name that which is related to the indigenous population referenced, the indigenous language name is privileged to stay true to the relation. English translations are provided after the term in brackets.
[iv] Alpine Archaeology and Oral History of the Squamish. P49.
[v] Alpine Archaeology and Oral History of the Squamish. P49-50.

Thursday, January 27, 2011

object description

"Describe your object’s materiality (e.g., size, weight, design, style, and decoration) and mode of production in the most precise language possible. What is your object made of? How was it made? List and describe relevant production methods. When was it made? Where was it made? How much did your object cost when it was made? How much did it cost to make your object?"

My object is immense in size. It is over four thousand eight hundred and thirty kilometers long, crosses two countries, and the tallest point of it being four thousand four hundred and one meters above sea level. Large dramatic collisions of tectonic plates and the slow melting and refreezing of glaciers have helped produce my object. From a distance, parts of my object have been described as looking like a woman's back, two lions, two sisters, teeth, a wall, the heavens. Parts of my object are covered in a green carpeting of coniferous trees, other parts are black and grey stone, while others still are the brown remnants of land slides where part of its face has slipped away. Most famously, my object is known for the glaciers resting in its uppermost regions. No one really agrees on when my object was made, but the range 80 to 55 million years ago crops up in discussion. It was made all between the Laird River in BC and the Rio Grande in New Mexico. When it was made, no people were around to evaluate it. When people discovered it, it's cost still couldn't be defined outside of the cost of life for endless generations, as it became sustenance and people, their children, their grandchildren, their children's grandchildren and so on. I also can't comment on what it cost to make the object, I imagine it cost millions of organisms their lives in the earthquakes that shifted the plates and the ice ages that spurred the glacial movement. I suppose my object, the Rocky Mountain Range, raises some interesting questions about production and initial cost. 

Monday, January 17, 2011

facilitation environments and re-memory in Turan and Tolia-Kelly's articles

    Turan’s article surveys the homes of four Palestinian Americans to document their ‘facilitation environments’ (real places created by displaced peoples through objects that evoke their collective identity, and usually also collective action) using the “transitional objects” theory of Donald W. Winnicott for relating material objects to dislocated people’s efforts of easing their transition to a new place of residence.  Turan structures the paper around interviews, picking up on themes within each interview that reinforce objects as gathering elements through their relation to humanity, or the evolving “material confirmation of the existence of Palestinians people [sic]” (Turan): one interviewee, Warda, comments on the Ramallah regional dress (not her family's regional dress) as being a thing whose invention becomes necessary away from home as a marker of identity: and she does not like the dress but lends it as a more ‘authentic’ home setting for her guests. Here the tension being address by Warda’s interview is who one performs their identity for and why. As well, Winnicott’s ‘transnational objects’ theory is being addressed, in that later generations experience these objects not specifically as provisions of comfort to east transition for themselves, but rather as providing a sense of continuity.
    Concerning in this article, is that though the Palestinians the author used are quoted as being eager participants in hopes to bring "greater attention to their cause", the history backgrounder of displacement that the author gives is unexplained and does not do ‘their cause’ justice: "1.4 million Palestinians were dispossessed and more than 10,000 homes were confiscated" by some invisible force for some mysterious reasons unknown to humankind? As well, here in mentioning the ""intifada" ...against Israeli occupation that began in 1987" the reader is left without the reason for uprising, and the essential injustice of the settlements being illegal in international law. It is disconcerting that the Palestinian participants have been swindled out of their anticipated trade-off, the author’s ethics being questionable.
    Later, however, the author writes a particularly provocative section about interviewing Mariam Haddad. Haddad talks about the disconnect between her image of her ethnicity passed down through objects and the popular image she learned she was i.e. kids throwing rocks...and the disparity in awareness between her and the other kids who'd say "I am Scotch," "I am Irish," "We are Polish" or "My grandparents survived the Holocaust." The popular images of these identities match more directly with the objects of identity the people have had passed down to them.   The urgency of the objects being a "material confirmation of the existence of Palestinians people [sic]" is made very apparent through these statements.


In Tolia-Kelly’s article, rather than focusing on dispossessed people, uses ‘post-colonial’ groups of South Asian women living in North London to illustrate the home as a site of memory activation, interpreted through Toni Morrison’s theory of re-memory (which can be memories of others told to you, absorbed by daily life, not just a linear narrative of events that make the self, i.e. re-memories of slavery experienced socially and manifest materially and collectively among the African-American community). The article is structured around objects (the mandir/home shrine, and crafts/curios) that function as stages for emitting the vernacular history of this marginalized group who’s been excluded from official recorded history.
    A few pieces are missing in this paper structurally in linking the object analysis to the section on ‘race politics of culture’. Here the author has a confused understanding of double-consciousness exampling "Black artists, writers and musicians have engaged with the 'doubleness' of being the heart of the West, but figered as 'other' within that nation's history and society" (322) – where double consciousness speaks more to the consciousness one has of one’s self on top of the consciousness one has of how the white world sees/positions the one.  This is not addressed in the essay. Concurrently, the author glosses over the different ways that British South Asians have been constituted as black citing political alliances between black and South Asian Brits, essentialist counter-arguements, and 'new ethnicities': However, what is lacking is the linkage of this term’s complexity with the author’s sample heavily influenced by East African South Asians and the intensely divisive colonial heirarchy between blacks and South Asians in East Africa, making it unclear how this section is linked to the rest of the paper.
    Yet the author does do a good job of illustrating the evolving of meaning in objects with the first focus on the mandirs (home shrines) of Hindu households. They contain not only metonymical symbols from India i.e. water from the Ganga or incense dust from India's shrines (re-memory), but family objects which symbolize moments of the family's life, allowing the shrine to be used as a site for tracing family history. Here the significance of the shrine grows in time and with collection of objects within it while the daily viewing of a mandir triggers memories and produce new meanings and memories of the families. It becomes a site of cultural education and reference points.


Questions:

According to Turan and Winnicott, facilitation environments are constructed can claim collective identity, often associated with a sense of political consciousness and collective action. While making the creator feel less displaced, is it possible for facilitated environments to displace other people? Examples?


This one is particularly personal to me, and I find it a bit amusing. In reading this scenario please think about the idea in Tolia-Kelly’s paper - ‘re-memory’ and the creation of the collective and individual self: Random person is introduced to me and starts telling me about how her boyfriend is really into learning ‘all about’ Japanese culture. She says, ‘he’s so into it, he’s more Japanese than Japanese people!’ (Implied here is that the boyfriend is not Japanese himself). In defense of my ethnicity, I cry, ‘I highly doubt that,’ to which she unwaveringly responds, ‘no! it’s true! He is more Japanese than Japanese people themselves!’. I continue to cry, ‘But no! It is layers and layers of history that create a people – not going to language classes and attending Anime conventions!’ Is there any saliency to either of our arguments?